Father & Mother | OCT 2006
Written in the sand of Langland Bay on the Gower in South Wales. Go visit!
Ambigrams are cunning little typographical gee-gaws, and a concept simultaneously ‘invented’ (if that’s the right word) by Scott Kim and John Langdon. I found Scott’s website several years ago and was fascinated by the idea – and since then I’ve been practising (and getting better!).
This gallery is a growing compendium of my designs to date, and I hope to add a new one each month, if possible. Keep watching!
An ambigram (also known by the more literal moniker ‘inversion’) is a symmetric design that, more often than not, reads the same when turned upside down.
But they don’t just work like that, and if you get thinking, there’s lots of other ways to play tricks with words and typography.
Written in the sand of Langland Bay on the Gower in South Wales. Go visit!
A simple word and an attractive, ‘swoopy’ design. I like the ‘H’ particularly!
The slightly dodgy readability perhaps means this one could do with a little extra work…
A simple design that I scribbled in a few seconds, for no adequately explained reason.
Another seasonal design, that makes use of some with clear, geometric letterforms.
The pleasing rty/Tw ligature does the heavy lifting in making this design work.
A complex design, but one that I was never 100% happy with – maybe I'll finish it one day.
A really fun ambigram, with lots of interesting details that create a coherent design.
Fits together very neatly and is suprisingly readable (once it’s been coloured it in, that is).
Particularly pleasing is the inclusion of a fully formed and artfully curly ampersand!
These fat and friendly letterforms have a cheerily light-hearted feel to them.
An idiosyncratic rotational design which works rather better than it ought to!
A patchwork ambigram with simple geometric glyphs layed out on a square grid.
A design that turned out very different from how it started, which was a nice surprise!
If you’ve never heard of Perplex City, then you probably will. And soon.
A simple rotational design that achieves some interesting and coherent typography.
Given that this was one of my first attempts at creating an ambigram, it’s not half bad.
A good example of a basic chain inversion – another early, and successful, design.
So far the only example of a bilateral inversion (one with mirror symmetry).
The cursive serifs of this design is a trick I have borrowed from the brilliant Scott Kim.
Another chain inversion, but one that used a more cursive and expressive letterform.
A double design – two patchwork ambigrams for the price of one!
Another rotational inversion, although this one was a little trickier than usual.
A rare example of a chain inversion that reads differently in its two orientations.
As with other chain inversions, the trick was to decide which was the crucial letter pairing.
The fat, cartoon-style letterforms evolved out of the needs of the individual letters.
A rather more sophisticated take on the idea of a patchwork ambigram.
Created for my sister’s birthday, and is an elegant example of a simple inversion.
Each design presents its own challenges – the tricky bit here was making both ‘n’s a success.
Another chain inversion, although one with some welcome idiosyncrancy.
I wanted to come up with a pure, rotational inversion for the happy couple’s big day.
This is something new: the same glyph is used to make all six letters of the name.